INSIDE THE ART, CRAFT AND BUSINESS OF WRITING for Film, TV, Books, Stage, Print or Digital Media (with Particular Attention to Comedy)
“YOU WANNA WRITE? READ THIS” – Marc Weingarten (author of “The Gang That Wouldn’t Write Straight”) “INFINITELY PRACTICAL” – Terri Jentz (author of “Strange Piece of Paradise”) “WITTY, WISE AND … Continue reading
Bless the Writers Guild of America – and not just for their awesome health plan (which includes dental coverage!). There’s lots of great info on their website, including this set … Continue reading
Thanks to Blogger Kevin Ashton for his inspiring post justifying my lack of inspirational posting this month – I’ve been busy writing! – and his post about why creative people … Continue reading
Thanks to 101books for this funny post on what the astronauts can teach us about writing dialog. 101 Books doesn’t specify, but I’d say this excellent snippet of dialog can … Continue reading
What’s wrong with a little well-placed denial? If we really let ourselves embrace and admit how much work it takes to write a script or book, very few of them … Continue reading
Writing doesn’t always look like ‘writing’. For the last 2-3 weeks, my work on the current screenplay has consisted of staring at a wall of index cards (in photo at … Continue reading
“Excellent advice… tips that would help any writer.” **** San Francisco Book Review Do you have a novel in you just waiting to come out? Or a screenplay, or a … Continue reading
I don’t have any direct experience with the TV Writers Vault (anyone?), so I’m not endorsing the site or service, but I thought this conversation was interesting in terms of … Continue reading
Some writers put way too much attention into their working environment – and then don’t actually get much work done. Many others (like me) pay barely any attention at all … Continue reading
I love “Spartacus” so much I don’t know where to startacus! ADVISORY: If you object to dirty words or thoughts, or have qualms about cartoonish ultra-violence, this isn’t for you. … Continue reading
“Don’t pay any attention to the critics—don’t even ignore them.” — Samuel Goldwyn 1. Get feedback BEFORE re-reading your draft (if you can possibly wait) 2. Ask for the kind of feedback you … Continue reading
If you can’t tell whether a scene is better before or after that 4th rewrite, stop. Like a doctor who takes the Hippocratic Oath, rewriters should “first do no harm”. … Continue reading
The actual pitch for an original TV series is usually pretty short – like 10 minutes (See my previous post on pitching a TV series), but you have to do … Continue reading